One and Done? Artists That Should Return to the Rock Hall Ballot

One is the loneliest number... especially if you're a musician with a single Rock Hall nomination, and still on the outside looking in.

While a growing multitude of worthy artists remain excluded from that famous pyramid on Lake Erie, it's intriguing to consider those in the "one nomination club." There are 21 acts with this distinction; below is a list of 10 that by all rights should return to the ballot.

New York Dolls

New York Dolls
Nominated for Class of 2001 
It's interesting that Aerosmith was also on this ballot, and got in, as Steven Tyler would be the first to tell you how influential the New York Dolls were on his band. Deeply impactful on everyone from the Smiths to Guns N' Roses, the shambolic glam godfathers—David Johansen, Johnny Thunders, Syl Sylvain, Arthur Kane, and Jerry Nolan—certainly deserve another shot at the Rock Hall.

Bon Jovi
Nominated for Class of 2011
Love'em or hate'em, even a brief survey of Bon Jovi's album sales, massive radio/MTV hits, and global popularity reveals that they're just too significant an act for the Hall to ignore permanently. The Jersey boys were nominated once, but they've been down on their luck with the institution since. Last October, Jon Bon Jovi had some rather candid, choice words about unspecified Rock Hall insiders, which could impact their chances, at least in the near future. Still, they are one of those groups that seem destined to get in. Before you moan and groan about it too much, imagine a Radiohead/Bon Jovi Rock Hall class... talk about balance.

The Cure
Nominated for Class of 2012 
Anyone that has followed "college/modern/alternative"-rock from the past 30 years would agree with the Cure's musical excellence and the shadow of their everlasting influence. They created a virtual social class of fans sporting their dark aesthetic, and remain a powerful live act.

Eric B. & Rakim

Eric B. & Rakim
Nominated for Class of 2013
A nomination in the next year or so could be nice timing for this Long Island hip-hop duo, as they are reuniting for a 2017 tour. They have deep respect in the hip-hop community thanks to Eric B.'s punchy, James Brown-sampling beats and Rakim's silken, poetic flow, and were held in high enough esteem to land a Rock Hall nomination. LL Cool J and A Tribe Called Quest could potentially be among the next hip-hop artists getting attention from the institution, but the influential Eric B. and Rakim deserve another appearance on the ballot.

Link Wray
Nominated for Class of 2014 
This six-string innovator basically pioneered the power chord and inspired the Who's Pete Townshend (and countless others) to pick up a guitar. A towering presence in rock and roll, Wray was featured recently in the documentary RUMBLE: The Indians who Rocked the World, which premiered at the Sundance Film Festival.

The Replacements

The Replacements
Nominated for Class of 2014 
Perpetually teetering on the edge of self-destruction makes for some stellar music. Minneapolis enfant terribles Paul Westerberg, Chris Mars, and siblings Bob and Tommy Stinson forged a memorable artistic identity: drunken chaos mixed with unexpectedly genius songwriting. They were cocky enough to call one album Let it Be and cheeky enough to cover KISS' "Black Diamond," but it's tough to argue against their musical achievements and influence on so many acts—everyone from Nirvana to Guided by Voices to Ryan Adams.

Los Lobos
Nominated for Class of 2016
"Just another band from East L.A.," maybe, but they flirted with Rock Hall enshrinement when their nomination was announced, to some surprise, in 2015. They didn't get inducted, but Los Lobos' roots-minded, dynamic, and unique sound is deserving of another nomination.

Bad Brains

Bad Brains
Nominated for Class of 2017
It will be interesting to see where Dave Grohl is going next with his Nomination Committee advocacy (Motörhead?). This year, he was pushing for these Washington, D.C. hardcore legends, a choice so out of left-field that anyone hoping for punk bands like Black Flag, Fugazi, or the Minutemen to infiltrate the nomination list now has hope. In any case, it would be tremendous overall to see Bad Brains receive additional nominations.

Jane's Addiction
Nominated for Class of 2017
As the virtual mothership from which '90s "alt-rock" was beamed, then fostered through the Lollapalooza fest, Jane's Addiction belongs in the Hall. Perry Farrell, Dave Navarro, Stephen Perkins and Eric Avery dropped two landmark albums in Nothing's Shocking and Ritual de lo Habitual, unleashing monolithic Zeppelin riffs, tribal drumming, freak-funk and ethereal psychedelia upon the world. Music hasn't been the same since.

Depeche Mode
Nominated for Class of 2017
Hit-making titans of synth-pop, Depeche Mode will get in eventually. That said, their nomination this past year was still a surprise, as it seemed like a nomination was still a few years off. Nine Inch Nails and the Smiths dropped out of contention on the last ballot, which seems to have made room for David Gahan, Martin Gore, Andy Fletcher and company. Their stack of hits and global prestige should rightfully land them on future ballots.

Forever Snubbed? 15 Artists Never Nominated for the Rock Hall

Hope springs eternal, but the Rock Hall can sure put that old saw to the test. If you're an eligible artist whose first release was 25-plus years ago, and you're still not in the Rock Hall, you're in good company (or... in Bad Company).

One can't help but marvel at just a random sampling of the noteworthy-to-genius artists that have never received a single nomination. In an increasingly variable Rock Hall ballot climate that has seen everyone from Bad Brains to Steppenwolf to the Replacements getting a nod, there would appear to be a huge swath of "never-nominateds" whose odds are as good as anyone's.

Here are 15 acts that, according to Future Rock Legends, have zero Rock Hall nominations to date (and yes, there are many, many more). Let your eyes go wide, or roll them, at your leisure:

Bad Company

Bad Company - 18 years eligible, with hits such as "Feel Like Makin' Love" and "Can't Get Enough," this British supergroup led by singer Paul Rodgers seems to fit right into the classic rock-friendly Rock Hall classes of late.

Pat Benatar - Benatar's merits were previously extolled in this space. Again, with the Hall tilting toward populist, FM radio-friendly rock, and the ongoing gender disparity within the institution, this overdue icon could rightfully get a nomination. Eligible since 2004. (Update: After her second nomination, Benatar was inducted into the Rock Hall Class of 2022.)

Captain Beefheart

Captain Beefheart - The late, great Don Van Vliet has been eligible for 26 years, but so far no Rock Hall love for his avant-transgressive yet highly influential art-rock. A cohort and collaborator with Frank Zappa (check out the album Bongo Fury), Captain Beefheart is an outlier that the already-inducted Tom Waits (and unabashed fan PJ Harvey) would surely admit cribbing from a little. Could be an Early Influences candidate, and the musical performance at the ceremony could simply be a klezmer band falling down a stairwell.

Dick Dale - Eligible for a whopping 30 years, "The King of the Surf Guitar" has yet to feel the Hall's gnarly wave of recognition crest over him. With his knack for reverb and distortion, not to mention his signature plucking style, his influence was especially great on hard rock and metal. Among many other accomplishments, Dale's "Misirlou" was used to striking effect in the movie Pulp Fiction.

The Guess Who

The Guess Who - This past October, the Rock Hall nominated The Guess Who's fellow Canadians Steppenwolf, which was the second biggest surprise of the ballot after Bad Brains. It's difficult not to draw parallels; if they're willing to recognize the Great White North's John Kay and company, then it's not a stretch to think The Guess Who is just as worthy, with huge hits like "American Woman," "These Eyes," and "No Time." Their membership included Randy Bachman, who went on form Bachman-Turner Overdrive.

Jethro Tull - There are some artists with uncanny, heavy-rotation songs that feel forever imprinted on rock fans' cerebellums; Jethro Tull, eligible for 24 years now, is one of these, with "Aqualung," "Locomotive Breath," and "Bungle in the Jungle" to their credit. Not critical favorites really, so that might speak to why their conceptual, flute-driven rock/folk/prog hybrid hasn't resonated with the Hall. But that certainly hasn't been a problem for other critically-loathed acts like KISS and Journey.

Joy Division

Joy Division - Dark wave post-punk legends that set a navel-gazing template for so many artists that came after them, from the Smiths (nominated twice) to Nine Inch Nails (nominated twice) to Radiohead (a strong bet for 2018) and many others. They disintegrated upon singer Ian Curtis' death in 1980, then morphed into electronic-pop masters New Order. Many will tear this suggestion apart, but let's go radical here: A joint Joy Division/New Order induction (a  la the Small Faces/Faces maneuver in 2012) could spike the chances of either of these bands getting in anytime soon.  (Update: Joy Division/New Order were nominated for the Class of 2023, but failed to make the cut.)

King Crimson - Yes fans have to be thrilled they're finally getting inducted, and Rush got in in 2013, but all concerned would still bow down to King Crimson, the consensus titans of prog-rock. Much like Kraftwerk forged a standard for electronic music, KC's Robert Fripp and a gigantic cast of instrumental wizards (Adrian Belew, Ian McDonald, Tony Levin, the late Greg Lake and many others) set the prog blueprint. Eligible for 24 years.

The Moody Blues

The Moody Blues - It's always darkest before the dawn; even though the Moody Blues' Justin Hayward recently said "It's too late now" for the Rock Hall nomination, this drought is likely coming to an end, possibly as early as next year. Every time a snubbed artist says they don't care, and "it's for the fans anyway," you can almost guarantee a nomination. Eligible for 28 years. (Update: The Moody Blues received their first nomination in October of 2017, and that December, they were announced as inductees for the Class of 2018.)

Harry Nilsson - A deeply respected '70s singer-songwriter with some truly genius songwriting and a notorious lust for life. His achievements include "One" (covered famously by Three Dog Night), "Without You" and "Everybody's Talkin'." Two years ago, the late Nilsson made Rolling Stone's list of "The 100 Greatest Songwriters of All Time" so there might be some real hope of a nomination.

Peter, Paul and Mary

Peter, Paul and Mary - Folk icons of the 1960s who interpreted many Dylan songs ("Blowin' in the Wind," "The Times They Are-A Changin'"), performed at the 1963 March on Washington, and maybe just saw their Rock Hall fortunes increase with this April's induction of socially conscious peer Joan Baez. Eligible since 1987.

Roxy Music - Eligible since 1997, Roxy music emerged out of London in 1971 and went on to deeply impact glam, new wave, and anything that might be described as art-rock. In a career trajectory that took them from the cutting-edge to a suave sophistication, Bryan Ferry, Brian Eno and company created legendary music with plenty of disciples. Influence and musical excellence? No question. (Update: Roxy Music received their first nomination in 2018, and were announced as official inductees for the Rock Hall Class of 2019.)

Thin Lizzy

Thin Lizzy - Whiskey in the jar, and Lizzy in the Hall? 21 years eligible, these Irish hard rockers with a dangerous two-guitar attack and the compelling, gritty lyrics of late singer-bassist Phil Lynott would be a welcome addition to any Rock Hall ballot. It's tough to see them getting much attention before the likes of Motörhead and Judas Priest, hard rock/heavy metal-wise, but let's face it: pecking order has never been a priority of this insitution, so Thin Lizzy has to remain a valid part of the conversation. (Update: 1 nomination in 2019 for the Class of 2020, still not inducted.)

T. Rex - During their glam-tastic ten-year run, T. Rex, led by singer-guitarist Marc Bolan, created such indelible monster hits as "Bang a Gong (Get it On)" and "20th Century Boy." The band influenced many a genre (punk, new wave/new romantic, metal), not to mention the New York Dolls, the Smiths, and Oasis, to name just a few. The flamboyance and glitter ended with Bolan's death in a 1977 car accident, but the music has definitely lived on. Eligible since 1993. (Update: Nominated in 2019, and inducted in the Class of 2020.)

Warren Zevon

Warren Zevon - 23 years eligible now, Los Angeles' late bard of debauched, razor-witted songcraft would fit right into the Rock Hall ballot's singer-songwriter slot (think 2013 inductee Randy Newman). Will it take "Lawyers, Guns and Money"? Well, it might only take Paul Shaffer, who jammed with Zevon many times on the Letterman show, and is a key advocate/Rock Hall insider. Inducting this guy could also yield a terrific induction ceremony performance: Imagine what former Zevon collaborator Bruce Springsteen or even artistic descendant Father John Misty could do with that material. (Update: Warren was nominated for the Class of 2023, but surprisingly did not make the list of inductees. Class of 2024? Let's hope so.)

Open Arms: The Rock Hall Embraces Populism

The people have spoken—they want Journey in the Rock Hall. And so it shall be. Once again, the winner of the official Rock Hall fan vote will be inducted. This fact indicates various things, but perhaps most significantly, it reveals that the Hall has now completely embraced Journey's particular brand of populist, FM radio-friendly arena rock. Whether that's agony or ecstasy for you, it's time to accept that, going forward, the Hall will absolutely induct acts that get a thumbs-down from critics, yet are adored by a vocal majority of rock fans.

In short, the Rock Hall is on a Journey, steering this boat toward the Styx.

Journey

Surprised? You shouldn't be. The signs have been there for awhile now. For the Class of 2016, longtime Rock Hall snub/fan vote victor Chicago got in, and right alongside of such other AOR acts as Cheap Trick, Deep Purple, and Steve Miller. The year before, rock radio staples Joan Jett and the Blackhearts got in. Not to equate or disparage any of these exceptional artists at all, it's just that their inclusion collectively demonstrates a strong undercurrent of "crowd-pleasing" going on here. You could even argue that Guns N' Roses' first-ballot induction is another example of the Hall navigating toward the mainstream; they are increasingly canonizing artists that have dominated radio airwaves/soundtracked proms and backwoods keggers. Journey is just the latest of these.

Another example of the Rock Hall's pivot toward pop-rock's often syrupy center was Rock Hall CEO Joel Peresman's 2015 interview where he expressed surprise that Journey and Bon Jovi weren't inducted yet. Steve Perry and company's current welcome into the Hall feels less like prescience on Peresman's part than the Rock Hall's apparent institutional mission to enshrine acts that will drive viewership of the HBO induction ceremony broadcast, as well as visitors to the museum.

"Who cares?" many will say. Why examine or care so much about all this? That's more than fair—ultimately, this isn't life or death stuff. No one will die. (They will be inducted after they do, however.) The Rock and Roll Hall of Fame induction ceremony may just be another music awards show to the casual observer, but it's still one of the most intensively discussed music events of the year. It's partly notable because it legitimizes musical taste, and ascribes the elite "Rock and Roll Hall of Famer" distinction (which, sadly, has been slapped onto far too many popular musicians' obituaries this year). Still, the debate over who is qualified to enter those hallowed halls rages on, and will continue to in the coming years.

Speaking of the future, and now that Journey has been voted into the Hall, it's time to consider what other acts they are blazing the trail for in Cleveland. Groan or exult if you must, but there are many bands that fit the specific Journey AOR/arena rock template that could potentially start seeing nominations. Here are just a few:

Boston

Boston - Just another band of Boston? Not quite. A staggering 75 million records sold, with their 1976 debut, Boston (a veritable greatest hits, track by track) shifting 17 million units. Guitarist Tom Scholz, a guitar, songwriting and production wizard, laid down a powerful musical foundation for late singer Brad Delp's warm, unmistakable vocals. Songs include "More Than a Feeling," "Peace of Mind," and "Foreplay/Long Time," where their prog-rock ambitions were especially on display. They're a "Rock and Roll Band" with Rock Hall written all over them. You can't turn on a classic rock FM station and not hear Boston (for better and for worse).

Foreigner

Foreigner - "Feels Like the First Time," "Double Vision," "Hot Blooded" and the mega-ballad "I Want to Know What Love Is" distinguish Foreigner, another band that has saturated FM airwaves for decades, and, impressively, has sold 80 million records globally. "Cold as Ice"? Hardly. Foreigner's chances of nomination are actually starting to heat up, with a possible reunion of a classic lineup and their 40th anniversary, according to band founder Mick Jones. Radio and TV personality/Rock Hall voter Eddie Trunk recently said he thinks Foreigner should be next after Journey, in terms of priority. He might have a point there.

Styx

Styx - "Oh, this truly IS Hell!" - Homer Simpson, literally floating down the river Styx as "Lady" plays. Hey, satire was going to happen to these guys. They might laugh last, as a Rock Hall nomination is very possible. There is some reunion potential/drama with their estranged singer Dennis DeYoung, and the unique yin/yang of their hard rock/musical theater pastiche, which has yielded multi-platinum records on the strength of such songs as "Renegade," "Too Much Time on My Hands," "Come Sail Away" and Kilroy Was Here's dystopian cyber-pop hit "Mr. Roboto."

REO Speedwagon

REO Speedwagon - With their 1980 album Hi Infidelity in RIAA's "diamond status" with 10 million records sold, plus 40 million albums sold overall, REO Speedwagon might have the right combination of industry and chart success to achieve a Rock Hall nod eventually. Overall, they have a boatload of hits, and their heavy MTV presence in the '80s can't hurt either. Sadly, REO guitarist Gary Richrath, co-writer of "Take It on the Run," died in 2015, but the group still hits the road, often with some of the other bands mentioned here.

Kansas

Kansas - Hailing from Topeka, this legendary troupe is best known for their ubiquitous hits "Dust in the Wind" and "Carry on Wayward Son"—both classics that have become heartfelt verses in purist rock fans' collective song. Mainstream acceptance has far outweighed Kansas' critical respect, but the recent documentary Kansas: Miracles out of Nowhere nicely detailed the origin story of how a scrappy band with art-rock/prog ambitions (check out the remarkable "Icarus (Born on Wings of Steel)" from their Masque album) ascended to headliner status. They're easily a long shot, but with the current Rock Hall shift toward big, unabashed classic rock, they cannot be left out of the conversation entirely.

Rock Hall 2017 Predictions: The Pundits Weigh In

Who's going in? Plenty of intrepid Rock Hall pundits are letting their predictions fly for the Rock and Roll Hall of Fame Class of 2017. And wow, is there some consensus out there, or what?

The Rock Hall's official inductee announcement hits at 8 a.m. next Tuesday, December 20 on SiriusXM's Volume (channel 106). Until then, here are some of the undeniably similar predictions:

Troy Smith (Cleveland Plain-Dealer / Cleveland.com): 

Pearl Jam
Journey
Joan Baez
Tupac Shakur
Electric Light Orchestra (ELO)
...and if there's a sixth inductee: J. Geils Band

Future Rock Legends (futurerocklegends.com):

Pearl Jam
Journey
Joan Baez
Chic
ELO
...and if there's a sixth inductee: J. Geils Band

Tom Lane (http://tomlanesblog.blogspot.com):

Pearl Jam
Journey
Joan Baez
Chic
ELO
...and if there's a sixth inductee: Tupac Shakur

Alex Voltaire (https://northumbriancountdown.wordpress.com):

Pearl Jam
Tupac Shakur
Joan Baez
ELO
Journey
...if 6 inductees: Chic
...if 7 inductees: Janet Jackson

E-Rockracy:

Pearl Jam
Journey
Joan Baez
Chic
ELO
...and if there are sixth and seventh inductees: The Zombies, The Cars
Ahmet Ertegun Award: Don Cornelius

Rock Hall Monitors (http://rockhallmonitors.blogspot.com):

Pearl Jam
Journey
ELO
Joan Baez
J. Geils Band
Sixth and seventh picks: Tupac Shakur, Chic

Iconic Rock Talk Show (https://iconicrocktalkshow.wordpress.com):

Pearl Jam
Journey
ELO
Joan Baez
Tupac Shakur
...and if there's a sixth inductee: Yes

Donnie's Blog (https://donniesblogwordpresscom.wordpress.com):

Pearl Jam
ELO
Journey
Joan Baez
Tupac Shakur
...and if there's a sixth inductee: Janet Jackson
...and if there's a seventh inductee: Chic
...and if there's a eighth inductee: The Cars

One thought on the near-uniformity of the predictions thus far: The Rock Hall's sure to shock and surprise us next week in some way. Expect some wild deviations from what you see above. Dark horses could emerge.

Candidates for the Rock Hall's Ahmet Ertegun Award, Part 2: Bob Geldof and Casey Kasem

The Rock and Roll Hall of Fame Class of 2017 announcement is due Tuesday, December 20 (see our inductee predictions here). However, there's another significant honor the Hall frequently bestows: the Ahmet Ertegun Award, which generally goes to producers, record executives, songwriters, and various industry figures that have made their indisputable mark on rock and roll.

In a previous installment, the merits of Rick Rubin and Daniel Lanois for the Ahmet Ertegun were reviewed. This time around, the focus turns to two more prospects, one a notable rock and roll activist, the other a legendary DJ.

Bob Geldof at Live Aid

Bob Geldof
His name is forever synonymous with Live Aid, the monumental 1985 all-star concert for African famine relief, but Bob Geldof's achievements are many. For instance, this time of year, you are very likely to hear Band Aid's "Do They Know It's Christmas," a huge international hit from 1984 penned by Geldof and Ultrovox's Midge Ure, and sung by a then-who's-who of Irish and British music stars. This mega-selling single was a clear prercursor to USA for Africa's "We Are the World."

Geldof's activist achievements also include Live 8, a 10-concert charity extravaganza in 2005 intended to raise consciousness around African economic, hunger, and AIDS issues. (The internationally-held event was also notable for reuniting Pink Floyd's long-estranged members for an historic performance.) To this day, he continues to fight on behalf of the impoverished as a member of the Africa Progress Panel as well as the ONE Campaign.

Before activism was a major aspect of his life, Geldof was the frontman for the New Wave group the Boomtown Rats, best known for their 1979 single "I Don't Like Mondays"—a harrowing song that both bemoaned and offered commentary on a school shooting long before such events sadly became commonplace. Elsewhere in his resume, it seems most rock fans either forget or are unaware that he played the lead role of "Pink" in the movie version of Pink Floyd's The Wall.

A major figure in the realm of rock and roll activism, music, and even film, Bob Geldof should probably be a part of any future Ahmet Ertegun Award conversation. This Rock Hall trophy might be a tad anticlimactic, as Geldof has an honorary knighthood from the Queen, and a Man of Peace award from the World Summit of Nobel Peace Laureates, among other honors... but for his high-profile, decades-long committment to the greater global good, he should be recognized.

Top 40 Legend: Casey Kasem

Casey Kasem
A broadcasting luminary hailing from Detroit, Kemal Amin "Casey" Kasem was one of the most well-known, household name-level DJs in America until his death in 2014. For a wide swath of the populus, his weekly show American Top 40 (which ran between 1970 and 2004) was a regular listening habit—a ritual marked by hearing the latest pop songs, "Long Distance Dedications" and Kasem's resonant, reassuring voice. And zoinks, lest we forget, Kasem, a busy voiceover artist, was even the voice of Shaggy on the beloved animated show Scooby-Doo.

Kasem's most obvious peer on some levels is Dick Clark, who was given the Ahmet Ertegun Award in 1993, and if we're talking DJs, the first recipient of this honor was Mr. Alan Freed himself. While Kasem is perhaps more of a "pop music" figure, there's no denying the fact his voice was deeply woven into the American tapestry; he held an important cultural position long before MP3s, streaming music, and irretrievably fragmented musical tastes became the modern norm. His worthiness for the Ahmet Ertegun Award is, well, off the charts.

Predictions: The 2017 Rock Hall Inductees

OK, overstuffed Rock Hall ballot, to warmly quote Steve Miller, "I'm going to wrap you up."  

Here are E-Rockracy's predictions for the Rock and Roll Hall of Fame Class of 2017: 

Pearl Jam - The Cubs won, too. It doesn't get Eddie Vedder than this. 

Journey - One is loathe to rely on polls at this point in history, but the Rock Hall fan vote winner reliably gets inducted, and Journey is currently tracking as the victor. Your move, Steve Perry.

Electric Light Orchestra (ELO) - There is a tremendous amount of respect out there for Jeff Lynne. Besides Electric Light Orchestra, his production work and collaborations with former Beatles and elite status as a Traveling Wilbury can only help the larger case. One envisions nearly every music industry person with a ballot checking that ELO box.

Chic - The prognostication here is that the Hall clears them off the nomination list, once and for all (never mind actual vote tallies). They're worthy of the honor, and it's high time to stop this wildly absurd nomination impasse. Also, while Chic transcends the genre, it will be 4 years since a disco-associated act (Donna Summer) has been inducted.

Joan Baez - A majority of the voting body will see the legendary Baez's name on the ballot, experience brief shock that she's not in, and check the box. Additionally, singer-songwriters/folk artists are prime targets for induction, if the past few Rock Hall classes are any indication (i.e., Laura Nyro, Donovan, Randy Newman, Cat Stevens). 

Bonus Predictions:

If there are additional performer inductees (the Hall can and does throw curveballs, even though Joel Peresman himself has said there will be only be five), here are two more: The Cars and The Zombies, in order of likelihood.  

Finally, a prediction for the Ahmet Ertegun Award: Don Cornelius

Beyond "Hallelujah": 10 Overlooked Leonard Cohen Tracks

There's always more if you're willing to dig deeper. Beyond a shadow of a doubt, the world is enamored of the late Leonard Cohen's "Hallelujah." It's a magnificent achievement in song, and in no way should it be undervalued, but it's perhaps as widely misunderstood as the Police's "Every Breath You Take" (a stalker monologue people played at their weddings).  

"Hallelujah" sure sounds like a hymn, but the religiosity many listeners ascribe to it is undercut by its acquiescent stance on romantic love. Not a victory march. Cold. Broken. What's inherent is a difficult surrender, among other things. It's a mild source of frustration for so many Cohen fans, then, that this ubiquitous, American Idol-ized song has been embraced to the utter exclusion of his remaining musical repertoire—a veritable diamond mine sparkling with poetry, profundity, libertine angst, and gallows humor. 

Care for music, do ya? Here are 10 overlooked tracks spanning Cohen's entire career. These aren't necessarily "essential tracks" you might find on a compilation—you won't see "Everybody Knows" nor "I'm Your Man" below—but rather a selection of unheralded album cuts that also deserve to be heard. (Click on the song titles to listen to each.)

"A Bunch Of Lonesome Heroes" (Songs from a Room, 1969) - "I sing this for your children / And for all who do not need me," Cohen sings in the nascent stage of his career. A jangly, elegant ode to troubadours destined to be forever misconstrued.

"Avalanche" (Songs of Love and Hate, 1971) - A shadowy early moment, marked by a tense, finger-picked guitar and spiritual defiance: "Your laws do not compel me / To kneel grotesque and bare..." Poetic and ominous, one can practically hear Nick Cave's entire aesthetic being born right here.

"Field Commander Cohen" (New Skin for the Old Ceremony, 1974) - Cohen once described touring as something of a military campaign, so given its title, it's fitting this acerbic, self-aware march (a key line: "parachuting acid into diplomatic cocktail parties") made it into his live shows. He might be the "patron saint of envy" and "the grocer of despair," but he's still "working for the Yankee dollar." Oh, the trying nexus of art and commerce.

"If It Be Your Will" (Various Positions, 1985) - "From this broken hill / I will sing to you." A solemn prayer from the same album that yielded "Hallelujah." Never living an unexamined life, Cohen seems to meditate on his role as an artist and performer, accompanied by the lovely backing vocals of Jennifer Warnes.

"Jazz Police" (I'm Your Man, 1988) -  An exotic, synthesizer-flecked escapade, this track stands as one of the strangest volleys in the Cohen songbook, which makes it all the more compelling. And hey, feel free to decode the lyrics if you're feeling brave ("Jazz police are paid by J. Paul Getty"...huh?). Otherwise, piano, electronic beats, and backing singers swirl around in a late-'80s neon purgatory, demonstrating Cohen's taste for sonic adventure.

"Democracy" (The Future, 1992) - "I love the country / But I can't stand the scene / And I'm neither left nor right / I'm just staying home tonight / Getting lost in that hopeless little screen," Cohen declares, offering incisive commentary and a frighteningly accurate vision of the future. Don't let the gentle, airy musical arrangement deceive you; there's a storm brewing here... "Democracy is coming to the USA."

"I caught the darkness / It was drinking from your cup."

"A Thousand Kisses Deep" (Ten New Songs, 2001) - "You live your life as if it's real / A thousand kisses deep," rasps Cohen on this 2001 ballad, a standout from Ten New Songs. The illusory nature of love and life is examined, as Sharon Robinson's angelic vocals float alongside of it. The chiming guitar notes are like tolling bells.

"Darkness" (Old Ideas, 2012) - Mortality became a permanent passenger in the vehicle of Cohen's music as his hour drew nearer: "I got no future / I know my days are few." Sounds like a downer, but there's a bracing churn to the music, and inescapable wisdom within this hedonist's reconciliation. "I caught the darkness / It was drinking from your cup."

"Slow" (Popular Problems, 2014) - "It's not because I'm old / It's not the life I lead / I always liked it slow / That's what my momma said," this deliberate ladies' man explains to a little red corvette over a pulsing rhythm. He continues, "All your moves are swift / All your turns are tight / Let me catch my breath / I thought we had all night." And in the middle of this romantic negotiation, he breaks down: "So baby let me go / You're wanted back in town." Baby, you're much too fast.

"Save the Last Dance for Me" (Live in Dublin, 2014) - A Drifters cover that was the frequent closing song on the 2012-13 Old Ideas tour, this moment from Live in Dublin reminds the listener what a truly wonderful coda it was. Drawn skyward by the choruses of Robinson and Charley and Hattie Webb (the Webb Sisters), Cohen's deep resonance with his adoring fans is distilled beautifully here, as they clap and sing the chorus along with him. A grace note.